人物雕塑于動物銅雕的關系
人物形象與動物形象的結合一向具有時代感，以作品來描述一個與時代相關的歷史事件。不管是抽象還是具象，現(xiàn)代的還是傳統(tǒng)的，從國內(nèi)外雕塑作品中可以看出動物銅雕塑和人物形象所表 現(xiàn)的非凡意義。許多雕塑家運用其高超的雕塑技法，嚴謹?shù)膭?chuàng)作思維使二者很巧妙地結合在一塊。
The combination of character images and animal images has always had a sense of the times. Works are used to describe a historical event related to the times. Whether abstract or concrete, modern or traditional, we can see the extraordinary significance of animal and character images from sculpture works at home and abroad. Many sculptors use their superb sculpture techniques and rigorous creative thinking to skillfully combine the two.
從古至今，動物與人類都是互相依存的，動物和人類的關系不僅僅具有親密的依賴，也有 長久以來固有的沖突矛盾。人類在對動物恐懼以及力量崇拜的同時，也根據(jù)它們身上的弱點來 馴服它們。在人們喂養(yǎng)動物的時候，根據(jù)生活需要又會進行捕食與殺戮。
Since ancient times, animals and humans are interdependent. The relationship between animals and humans not only has close dependence, but also has inherent conflicts and contradictions for a long time. Human beings not only fear animals and worship their strength, but also tame them according to their weaknesses. When people feed animals, they will hunt and kill according to the needs of life.
總的概括人與動物的 關系一般經(jīng)過了：信奉、崇仰、喂食、對動物的重新認知及關懷的過程，也是人本性的體現(xiàn)，了解自然、破壞自然的過程，在這樣一個理解又到關懷的過程中，也是體現(xiàn)人最終本質(zhì)的一個 過程，從認識到破壞再到重新認知和回歸自然和諧的心態(tài)。
Generally speaking, the relationship between man and animals generally goes through the process of belief, worship, feeding, re cognition and care for animals, which is also the embodiment of human nature, the process of understanding and destroying nature. In such a process of understanding and caring, it is also a process of reflecting the ultimate essence of man, From recognition to destruction, to re cognition and return to the harmonious state of mind of nature.
在所有的藝術雕塑中，都不能脫離生活而成為一種沒有靈魂的形式。因此，人與動物之間的關系發(fā)展也會為人類的藝術生活增添一份內(nèi)容。
In all art sculpture, it can not be separated from life and become a form without soul. Therefore, the development of the relationship between man and animals will also add a content to human artistic life.
